Film IT CAME FROM TEXAS Film Festival

IT CAME FROM TEXAS Film Festival Welcomes Academy Award Winner Ron Bozman

Written by Kelly Kitchens
The Festival celebrates Bozman and Henkel who worked together 49 years ago on THE TEXAS CHAINSAW

IT CAME FROM TEXAS Film Festival debuts the weekend before Halloween, October 28-29 at The Plaza Theatre (521 W. State Street) in Garland, Texas, perfect timing to celebrate the 49th anniversary of THE TEXAS CHAINSAW MASSACRE. With special guest appearances by Academy Award winner Ron Bozman, (as a producer of THE SILENCE OF THE LAMBS, 1991), and Kim Henkel, a co-writer of THE TEXAS CHAINSAW MASSACRE in 1974, the two act as headliners to a full weekend of film. (Bozman, production manager, and Henkel, co-writer, worked together with Director/Co-Writer Tobe Hooper on the original CHAINSAW.)

SPECIAL TIES TO GARLAND AND THE PLAZA THEATRE

Academy Award-winning film producer Ron Bozman, who now lives in New York City, comes full circle, returning to his hometown of Garland. Bozman grew up watching movies at The Plaza Theatre and graduated from Garland High School in 1965. In addition to THE SILENCE OF THE LAMBS (1991), Bozman’s career included work on such notable film/TV projects as SOMETHING WILD (1986), PHILADELPHIA (1993) and HBO’s “Succession” (2018), among many others.

“When I heard they were reopening the Square with a new film festival focusing on Texas-made films at the Plaza, and they were showcasing one of the first films I worked on, THE TEXAS CHAINSAW MASSACRE, I knew I had to be there. Growing up in Garland and graduating from Garland High School, holds such fond memories for me,” Bozman says.

“I remember seeing lots of films at the Plaza Theatre, like the cartoon version of PETER PAN (Disney’s 1953 version) and KING KONG VS. GODZILLA (1963). It will be fun to be there again. It will be a special kick seeing CHAINSAW coupled with the campy horror and Sci-Fi double features of my ill-spent youth.”

LONGTIME FRIENDS TOGETHER AGAIN

CHAINSAW co-creator Kim Henkel, hails from Texas too, graduating from UT Austin in 1969. Mutual friends introduced him to Tobe Hooper and the rest became slasher-film history. Henkel and Hooper co-wrote the original screenplay for THE TEXAS CHAINSAW MASSACRE, which Hooper then directed. Outside of Eagle Pennell’s LAST NIGHT AT THE ALAMO (1983), which Henkel wrote, his work has built on those deep roots in horror, including TEXAS CHAINSAW MASSACRE: THE NEXT GENERATION (1995), 2022’s TEXAS CHAINSAW MASSACRE, the 50th anniversary film slated for release late 2024 or early 2025, as well as the TEXAS CHAINSAW MASSACRE video game released this summer by Gun Media.

“HOW COOL IS THIS?”
“I’m just so thrilled at how the IT CAME FROM TEXAS Film Festival is coming together. Mr. Bozman told me he doesn’t think that he and Mr. Henkel have been together to talk about CHAINSAW with an audience since the 1970s. Let’s welcome Mr. Bozman and Mr. Henkel to town with a full house of fans and Garland High School alumni!” says Kelly Kitchens, film festival director.

Joe O’Connell, writer/director/producer of RONDO AND BOB, will moderate a Q&A session with Bozman and Henkel after CHAINSAW on Saturday night, Oct 28. RONDO AND BOB, a documentary focusing on CHAINSAW’s artistic director, Bob Burns, plays at 3 pm before the screening of CHAINSAW at 7 pm.

Both of those time blocks will also include a 15-minute series of short films made entirely by the Garland High School IB Film Program known as “Reel Owl Cinema.”

The 11-film Festival begins screenings and activities on Saturday, October 28, and continues on Sunday, October 29, just two weeks after the reopening of the Downtown Square. The event, which is sponsored by the City of Garland and Garland Cultural Arts, is a first for the city. Rounding out the Festival will be live riffing by the comedy troupe, Mocky Horror Picture Show annihilates THE GIANT GILA MONSTER (1959) on Sunday, October 29 at 7 pm.

FILM FESTIVAL SCHEDULE:

SATURDAY, OCTOBER 28

11 am – Double Feature ($10 individual tickets)

ZONTAR: THING FROM VENUS (1967)

Director: Larry Buchanan

Filmed in Dallas

A misguided scientist enables an alien from Venus named Zontar to come to Earth to help solve man’s problems. However, Zontar has other ideas. Stars John Agar.

MANOS: HANDS OF FATE (1966)

Director: Harold P. Warren

Filmed in El Paso and Ysleta

While on a desert excursion, a family encounters cultists who use human hands as sacrificial offerings to their god.

MANOS: THE HAND OF FATE Trailer

https://youtu.be/sF03ZFt8t8w

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3 pm – RONDO AND BOB (2020) ($10 individual tickets)

Director: Joe O’Connell (in attendance)

Filmed in Austin, Taylor, Los Angeles and Tampa, FL

Robert A. Burns, art director on the original TEXAS CHAINSAW MASSACRE, was obsessed with actor Rondo Hatton (AKA The Creeper). Burns was average looking but brimming with odd creativity. Hatton, who suffered from acromegaly, had a strangely unique appearance but was a regular guy. In RONDO AND BOB, their two stories intersect.

https://www.RondoAndBob.com/

Post-screening Q&A with RONDO AND BOB writer/director/producer, Joe O’Connell. This block includes student films from Garland High School’s ‘Reel Owl Cinema.’

RONDO AND BOB Teaser and Trailer:

https://vimeo.com/219303208

https://vimeo.com/369901595

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7 pm – THE TEXAS CHAINSAW MASSACRE (1974) ($25 individual tickets)

Rated: R

Director: Tobe Hooper

Filmed in Bastrop, Round Rock, Watterson and Leander

The 49th anniversary of this iconic horror film follows a group of friends who visit an old farmhouse where they are abducted and tortured by a family of cannibals. This block includes student films from Garland High School’s ‘Reel Owl Cinema.’

THE TEXAS CHAINSAW MASSACRE Trailer: 

https://youtu.be/BKn9QIaMgtQ

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9:30 pm – Special Father and Son Double Feature ($10 individual tickets)

DON’T LOOK IN THE BASEMENT (1974)

Rated: R

Director: S.F. Brownrigg

Filmed in Tehuacana

This independent horror film follows a nurse hired to work in Stephens’ Sanatorium, a psychiatric asylum where the patients torment her.

DON’T LOOK IN THE BASEMENT infamous trailer is about half footage from THE LAST HOUSE ON THE LEFT due to having the same distributor, released on a double bill with it):

https://youtu.be/ys27ZxU3M3g

DON’T LOOK IN THE BASEMENT 2 (2015)

Rated: R

Director: Tony Brownrigg

Filmed in Tehuacana

Forty years after patients and doctors of the Stephens Sanitarium were murdered, the only survivor returns to discover that the ghosts of the past still haunt the building and its new inhabitants. 

DON’T LOOK IN THE BASEMENT 2 writer/director, Tony Brownrigg is the son of S.F. Brownrigg, director of original DON’T LOOK IN THE BASEMENT. These two films will be shown as a double feature for the first time. This film screens courtesy of RDM Pictures.

http://www.dontlookinthebasement.com/about/

DON’T LOOK IN THE BASEMENT 2 Trailer:

https://youtu.be/UruZUNOuskk

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SUNDAY, OCTOBER 29

11:30 am – Double Feature ($10 individual tickets)

BEYOND THE TIME BARRIER (1960)

Director: Edgar G. Ulmer

Filmed in Carswell Air Force Base, Fort Worth; Eagle Mountain Marine Corps Air Station; and Fair Park, Dallas

An experimental pilot testing a rocket-powered craft finds himself in the future, among a society devastated by a plague.

BEYOND THE TIME BARRIER Trailer: 

https://youtu.be/dR2iz7LI3Kc

THE AMAZING TRANSPARENT MAN (1960)

Director: Edgar G. Ulmer

Filmed in Fair Park, Dallas and Berkshire Mountains, Massachusetts

A notorious thief assists and eventually faces off with a former military officer who plans to conquer the world with an army of invisible soldiers.

AMAZING TRANSPARENT MAN Trailer: 

https://youtu.be/9MBYh7gt_1g

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3 pm – Double Feature ($10 individual tickets)

ATTACK OF THE EYE CREATURES (1967)

Director: Larry Buchanan

Filmed in Dallas

A flying saucer invades Earth and releases multi-eyed alien creatures that terrorize a teenage couple.

THE KILLER SHREWS (1959 1h9m)

Director: Ray Kellogg

Filmed in Dallas and on Lake Dallas

When a ship lands on an isolated island, the crew discovers a mad scientist has been experimenting on shrews, which terrorize the researchers. Stars James Best, Ken Curtis, Ingrid Goude, and Gordon McLendon.

THE KILLER SHREWS Trailer: 

https://youtu.be/j5b6N6huKz0

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7:30 pm – Mocky Horror Picture Show live riffing of THE GIANT GILA MONSTER (1959) ($15 individual tickets)

Director: Ray Kellogg

Filmed in Dallas and on Lake Dallas

A live-riffing movie comedy show! Mocked by Danny Gallagher and his fellow mockers Liz Barksdale and Albie Robles, this campy classic follows a mechanic and street racer as they work to stop a giant lizard from destroying the town. This block also includes student films from Garland High School’s ‘Reel Owl Cinema’ and a costume contest.

THE GIANT GILA MONSTER Trailer:

https://youtu.be/vCFXkZpMkV4

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FACT SHEET:

IT CAME FROM TEXAS Film Festival 

The First Annual Camp Classics

WHAT:

City of Garland’s Cultural Arts presents It Came From Texas Film Festival

Double features, campy classics and Texas-sized horror – 11 Texas Made films return to the Big Screen.

Tickets Information

ADMISSION – PASSES and TICKETS:

Available online at https://www.prekindle.com/calendar/itcamefromtexasfilmfest

Festival Pass:  $60 

Individual Tickets:  $10-$25 

Senior/Student Individual Tickets: $7-$12  

(Full value of individual tickets is $90)

Festival Pass Perks:

  • Limited Availability
  • Early admission
  • Commemorative Poster
  • Discounts from participating businesses

WHEN and WHERE:

Oct 28-29, 2023

The Plaza Theatre on the Downtown Square

521 W. State Street

Garland, TX 75040



About the author

Kelly Kitchens

Kelly J Kitchens (Wickersham), film publicist

As an editor and feature writer, Kelly J. Kitchens found herself engrossed in North Texas’ arts, entertainment, leisure/hospitality and fund-raising events scene in the early and mid-'90s where she was a feature writer, critic and editor for a weekly arts and entertainment magazine in Dallas called The Met. Her love of film, music, art, theater and worthy causes drove her to then pursue the publicity side of the media business in 1995. Kelly has been honored by being named a “master publicist” in the Fort Worth Business Press and an “ace media maven” in The Dallas Morning News.

For more than 25 years, Kelly has had her hand in much of the Dallas film world. For instance, she publicized Angelika Film Centers openings in Dallas and Plano and the revitalization of Houston’s Angelika. She is the director of press and publicity for several area film festivals and independent films playing at other film festivals. And in 2022, she plans to return to be the publicist for Alamo Drafthouse Cinemas in DFW.

During the pandemic, Kelly wasn’t sure where her career would take her. Fortunately, she was able to help save Thin Line Film Festival, Dallas VideoFest's DocuFest and AltFiction Fest, Pegasus Film Festival, among other film festivals as they turned to go virtual instead of canceling.

As the world emerges from the pandemic, Kelly is working on publicity for Pegasus Media Project, Who Needs Sleep Telethon, as well as several films making their ways into the festival circuit and an Amazon series nominated for a Daytime Emmy, #WASHED.

One of Kelly’s specialties is her Media Roundtables. RTs are modified press conferences that turn into conversations and virtual film schools with filmmakers, festival directors and anyone else she happens to be working with at the time. Get a feel for these media roundtables at this YouTube playlist: https://tinyurl.com/KJKPRMediaRoundtables