Videos

Dallas VideoFest 29th Edition Winners are In

Written by Kelly Kitchens

DALLAS VIDEOFEST 29 Juried Award Winning Films:

Best Short:

Stephen Crompton’s SWEET LOVE

“SWEET LOVE represents the best kind of storytelling, where great specificity of detail is used to tell universal truths about the human condition. We follow one seemingly ordinary old man through the quotidian mundanities of his life in a Florida retirement community, slowly realizing through the beautifully photographed presentation of that life, combined with gentle revelations about his past, that his is a model of a fully human existence, simultaneously sublime and ridiculous, and therefore, magical. Pure cinema,” said short judge, Christopher Llewellyn Reed.

Jury Prize for Animation Short:

Sandra Schiessl’s CHIKA DIE HÜNDIN IM GHETTO (CHIKA DOG FROM THE GHETTO) (Germany)

 Jury Prize for Narrative Short:

Sheila Schroeder’s Happy F-ing Valentine’s Day

Jury Prize for Experimental Short:

Kristen Lauth Shaeffer’s 349

Best Feature Documentary: two-trains-runnin-common-narrator-and-executive-producer-of-two-trains-runnin-in-chicago-il-image-copyright-think-common-productions

Sam Pollard’s TWO TRAINS RUNNIN’

“Once again, the selection for the Best Documentary in the Dallas VideoFest was very difficult with so many innovative entries, each worthy in its own right. But we settled on Sam Pollard’s illuminating TWO TRAINS RUNNIN’, an exploration of cultural discovery amidst social upheaval. Against the backdrop of the civil rights movement, this compelling documentary reveals the little-known quest to find two legendary blues legends, with Pollard brilliantly documenting the confluence of African American politics and culture in 1964,” said documentaries judge, Ron Simon.

 Special Jury Prize:

Ferne Pearlstein’s THE LAST LAUGH

 Best Narrative:

Roger Deutsch’s THE BOY ON THE TRAIN (Hungary)

 Jury Prizes:

  • Anna Biller’s LOVE WITCH
  • Gabriel Duran’s STREETS OF A SCION

 Big D Mobile III: 

Stepan Etrych’s BUBBLES DON’T LIE (Czech Republic)

 Big D Mobile III’s Honorable Mentions:

  • Sven D.’s THIS MOMENT
  • Dorukhan Turan’s THE ACT

 Meta Media Award:

Diane E. Carson and Robert Johnson’s OTHER PEOPLE’S FOOTAGE: COPYRIGHT & FAIR USE

 Texas Show Winner:

Fatimah Shadiah Jawad’s RASHAD RELEASED (Arlington)

Shorts Judges

  • Christopher Llewellyn Reed – Chair of the Film & Moving Image Department at Stevenson University; lead film critic for Hammer to Nail, a website devoted to independent cinema
  • Shilyh Warren – Assistant Professor of Film and Aesthetic Studies

 Narrative Feature Judges

  • Joe Dishner – Founding co-publisher of The Austin Chronicle
  • Christopher Bell – Former critic for the blog, The Playlist; active filmmaker

 Documentary Judges

  • Ron Simon – Curator of Television and Radio at the Paley Center for Media; professor of media history
  • Daniel E. García– a Peruvian filmmaker; Assistant Professor University of Texas at Arlington

Texas Show Judges

  • Justina Walford – Artistic Director of Women Texas Film Festival
  • Cameron Nelson – 2014 IFP Narrative Labs Fellow; Columbia Graduate Student
  • Gabriel Duran – director of the Festival De Cine Latino Americano

About Dallas VideoFest 29:

VideoFest (VideoFest.org) is now the oldest and largest video festival in the United States and continues to garner critical and popular acclaim. VideoFest prides itself on bringing films to the theater that are rarely available to be seen anywhere else. Films like Experimental/Art Films, Animation, Narrative and Documentary Shorts, as well as Documentary and Narrative Features and some hard-to-find Classic TV episodes and Classic Films are often in the mix.

History of VideoFest: Cutting-Edge Art

Merging art and technology since 1987, VideoFest has specialized in independent, alternative, and non-commercial media, presenting hard-to-find works rarely seen on television, in movie theaters, or elsewhere, despite their artistic excellence and cultural and social relevance. Even in a Web 4.0 environment where everything is seemingly available on the Internet, the VideoFest provides curatorial guidance, a critical voice in the wilderness navigating the vast and diverse landscape of media, helping to interpret its cultural and artistic significance. The event provides a communal environment for real-time, face-to-face dialogue between makers and audiences.

Dallas VideoFest 29 Sponsors

MAJOR SPONSORS: Jeff & Jani Leuschel; City of Dallas Office of Cultural Affairs; Texas Commission on the Art; Dallas Film Commission; The National Endowment for the Arts; AMS Pictures; Alford Media Services; KERA; CharlieUniformTango; Mockingbird Station; Prekindle; and Selig Polyscope Company. Sponsors: Angelika Film Center Dallas; FilmFreeway; Studio Movie Grill; Harry Moss Foundation; F R E E M A N Audio Visual Solutions; Proof and Pantry; Jersey Mike’s on Greenville; and Instagram Cat Mom. REBIRTH OF A NATION Co-Sponsors: Ignite Arts Dallas/SMU Meadows School of the Arts; MAP – Make Art with Purpose. Dallas VideoFest 29 Lounge Sponsor: Dallas Film Commission. Media Sponsors: KERA’s Art & Seek; AMS Pictures; The Common Desk; Selig Film News; Sell.com; SullivanPerkins; TheaterJones; and Freeman. Special Programs Sponsors: Fort Worth Film Commission; Houston Film Commission; Texas Film Commission; and Texas Association of Film Commission. Sponsors and Contributors-Special Thanks: Jeff & Jani Leuschel; Jim & Deborah Nugent; Spencer Michlin; Andy Streitfeld; and Texas Theatre. Transportation: American Airlines. Content Support: Women in Film.Dallas.

ABOUT VIDEO ASSOCIATION OF DALLAS

The mission of the Video Association is to promote an understanding of video as a creative medium and cultural force in our society, and to support and advance the work of Texas artists working in video and the electronic arts.  The Video Association of Dallas (VAD) is a 501(c)(3) organization incorporated on April 25, 1989.  It began in 1986 as a weekend event, “Video As A Creative Medium,” presented at the Dallas Museum of Art by independent curators Barton Weiss and John Held. That first event, which included two nights of video by selected local and national video artists, was a great popular success, which led to the founding of the Dallas Video Festival (DVF) in 1987. Video Association of Dallas also presents the 24-Hour Video Race, North Texas Universities Film Festival, Three Star Cinema, and other programs throughout the year.

About the author

Kelly Kitchens

Kelly J Kitchens (Wickersham), film publicist

As an editor and feature writer, Kelly J. Kitchens found herself engrossed in North Texas’ arts, entertainment, leisure/hospitality and fund-raising events scene in the early and mid-'90s where she was a feature writer, critic and editor for a weekly arts and entertainment magazine in Dallas called The Met. Her love of film, music, art, theater and worthy causes drove her to then pursue the publicity side of the media business in 1995. Kelly has been honored by being named a “master publicist” in the Fort Worth Business Press and an “ace media maven” in The Dallas Morning News.

For more than 25 years, Kelly has had her hand in much of the Dallas film world. For instance, she publicized Angelika Film Centers openings in Dallas and Plano and the revitalization of Houston’s Angelika. She is the director of press and publicity for several area film festivals and independent films playing at other film festivals. And in 2022, she plans to return to be the publicist for Alamo Drafthouse Cinemas in DFW.

During the pandemic, Kelly wasn’t sure where her career would take her. Fortunately, she was able to help save Thin Line Film Festival, Dallas VideoFest's DocuFest and AltFiction Fest, Pegasus Film Festival, among other film festivals as they turned to go virtual instead of canceling.

As the world emerges from the pandemic, Kelly is working on publicity for Pegasus Media Project, Who Needs Sleep Telethon, as well as several films making their ways into the festival circuit and an Amazon series nominated for a Daytime Emmy, #WASHED.

One of Kelly’s specialties is her Media Roundtables. RTs are modified press conferences that turn into conversations and virtual film schools with filmmakers, festival directors and anyone else she happens to be working with at the time. Get a feel for these media roundtables at this YouTube playlist: https://tinyurl.com/KJKPRMediaRoundtables