Film

Garland Cultural Arts Kicks Off Its Inaugural IT CAME FROM TEXAS Film Festival Oct. 28-29

Written by Kelly Kitchens

Festival celebrates 49th anniversary of TEXAS CHAIN SAW MASSACRE; Campy Drive-in Double Features of 1950s-’70s; fandom doc on TCSM; Garland High IB Film Program Shorts; live riffing by Mocky Horror Picture Show #ItCameFromTXFF

Two weeks following the reopening of the Downtown Square, the Plaza Theatre in Garland (521 W. State Street) will host its first film festival, IT CAME FROM TEXAS Film Festival. Festivities kick off on Saturday, October 28, and Sunday, October 29 will be full of b-movies that spent their time at the drive-ins around the country in the 1950s and ’60s. Sponsored by the City of Garland and Garland Cultural Arts, the event is a first for the city.

“With a nod to the old Dallas Producers Association fundraisers, It Came From Dallas from 2005-’17 that Gordon Smith and I worked on together, all of the elements were right there to make this a state-wide celebration of many of Texas’ best features through the years as well as some of the campy, quirky, at times cringe-worthy fun films of days gone by. We are grateful to the City of Garland and the Garland Cultural Arts team for cheering on this quirky effort so joyfully,” said Kelly Kitchens, film festival director. “While future IT CAME FROM TEXAS Film Festival will feature films in various genres and eras all made in Texas, this inaugural Festival pays homage to the horror/Sci-Fi films that went to the drive-in theaters in the 1950s, ‘60s and ‘70s.”

THERE’S A B-MOVIE FILM HISTORIAN CATEGORY?

Gordon K. Smith, the unofficial film historian specializing in B-movies made in Texas, brings his deep-dive knowledge to this effort.

“We have a carefully curated collection of horror and Sci-Fi B-movies made in Texas that have all become cult classics thanks to decades of drive-in, TV (including “Mystery Science Theater 3000”), home video and web showings. It’s a rare chance to celebrate some movies you may have grown up with on your TV at home and see them on a big screen with fellow fans and learn some fun facts about how they got made across Texas.  This is the perfect way to spend your Halloween weekend!” Smith exclaimed.

CULT CLASSIC FOREVER CHANGED THE HORROR GENRE

Seeing the horror films of the 1950s and ‘60s, audiences will see the stark difference between those movies and the Spotlight film of the festival, TEXAS CHAIN SAW MASSACRE. Celebrating its 49th anniversary this year, CHAIN SAW gained a reputation as one of the most influential horror films for future genre films.

John Bloom (AKA Joe Bob Briggs) wrote in Texas Monthly, Nov 2004

TEXAS CHAIN SAW MASSACRE was the first real ‘slasher’ film, and it changed many things—the ratings code of the Motion Picture Association of America, the national debate on violence, the Texas Film Commission, the horror genre—but it remained a curiously isolated phenomenon. The film itself, involving five young people on a twisted drive through the country, is a strange, shifting experience—early audiences were horrified; later audiences laughed; newcomers to the movie were inevitably stricken with a vaguely uneasy feeling, as though the movie might have actually been made by a maniac….”

UNCOVERING INFLUENTIAL FAN INSPIRING FANS

Filmmaker Joe O’Connell’s 2020 documentary focuses on one one of those “maniacs” who formed the look and feel of TEXAS CHAIN SAW MASSACRE, Robert A. Burns. RONDO & BOB, screening right before TEXAS CHAIN SAW MASSACRE, focuses on Art Director Bob Burns, the horror film legend who created the look of the seminal film. 
Burns was obsessed with the 1930s and ‘40s B-Movie actor Rondo Hatton (AKA The Creeper), an average man whose face was transformed into a distorted mask by acromegaly.

The film celebrates the true, deep fandom of Bob Burns for Rondo Hatton and in turn, reflects on TEXAS CHAIN SAW MASSACRE fans.

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GARLAND HIGH SCHOOL IB SHORT FILMS PROGRAMMED 

Sprinkled in with three of the film slots will be short films made by the students of the Garland High School Reel Owl Cinema film program. Reel Owl Cinema (ROC) will begin its 19th year a little differently. Having received an invitation to participate in the IT CAME FROM TEXAS Film Festival, the students’ first project will be to create horror, campy horror, or just campy films. The program has always had a horror component including the history of the horror genre and discussing and viewing horror films, but they have never specifically had a horror project.

“The kids are excited, and we are proud to be invited to participate in our first City of Garland film festival to premiere these films. Over the years, we have partnered with several film festivals both in North Texas and internationally, so we are so glad to showcase 45 minutes of our student’s films to a hometown crowd,” said Thomas Schubert, ROC Film Department Head.

“To have IT CAME FROM TEXAS Film Festival invite our program to participate is such an honor.  It validates the program at the highest level of community support.  Thanks to everyone from the city to the organizers working on the Festival for supporting us with this privilege,” Schubert concluded.

QUIRKY CONTENT CONTINUES

The final night of the festival won’t be a quiet one. That’s because the Festival will close things out with a live riff on one of Texas’ biggest and baddest Monster Movies with Texas’ only interactive movie mocking comedy troupe. The Mocky Horror Picture Show (mockyhorror.com) performs regularly at the Texas Theatre in Oak Cliff, and they’ll close out the IT CAME FROM TEXAS Film Festival with a live riff of Ray Kellogg’s 1959 cheesy horror classic THE GIANT GILA MONSTER in which (wait for it) a giant gila monster (actually, it’s a Mexican beaded lizard) wreaks havoc on a small town. The titular monster shares the spotlight with B-movie staple, Don Sullivan; France’s 1957 Miss Universe contestant, Lisa Simone; and Dallas radio legend, Ken Knox.

Mocky Horror stars comedians Liz Barksdale, Danny Gallagher and Albie Robles riffing on movies in the theater for a live audience, and the fun doesn’t stop there. Timed prompts appear on the screen with instructions for the audience to do or say things at just the right time. The comedians provide props for the audience to make fun of the movie with them!

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FILM FESTIVAL SCHEDULE:
SATURDAY, OCTOBER 28
11 am – Double Feature ($10 individual tickets)

ZONTAR: THING FROM VENUS (1967)

Director: Larry Buchanan
Filmed in Dallas

A misguided scientist enables an alien from Venus named Zontar to come to Earth to help solve man’s problems. However, Zontar has other ideas. Stars John Agar.

MANOS: HANDS OF FATE (1966)

Director: Harold P. Warren
Filmed in El Paso and Ysleta

While on a desert excursion, a family encounters cultists who use human hands as sacrificial offerings to their god.

 MANOS: THE HAND OF FATE Trailer

https://youtu.be/sF03ZFt8t8w

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3 pm – RONDO & BOB (2020) ($10 individual tickets)

Director: Joe O’Connell (in attendance)

Filmed in Austin, Taylor, Los Angeles and Tampa, FL

Robert A. Burns, art director on the original TEXAS CHAIN SAW MASSACRE, was obsessed with actor Rondo Hatton (AKA The Creeper). Burns was average looking but brimming with odd creativity. Hatton, who suffered from acromegaly, had a strangely unique appearance but was a regular guy. In RONDO & BOB, their two stories intersect.

https://www.RondoAndBob.com/

Post-screening Q&A with RONDO & BOB writer/director/producer, Joe O’Connell. This block includes student films from Garland High School’s ‘Reel Owl Cinema.’

RONDO & BOB Teaser and Trailer:

https://vimeo.com/219303208

https://vimeo.com/369901595

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7 pm – THE TEXAS CHAIN SAW MASSACRE (1974) ($15 individual tickets)

Rated: R

Director: Tobe Hooper
Filmed in Bastrop, Round Rock, Watterson and Leander

The 49th anniversary of this iconic horror film follows a group of friends who visit an old farmhouse where they are abducted and tortured by a family of cannibals. This block includes student films from Garland High School’s ‘Reel Owl Cinema.’

THE TEXAS CHAIN SAW MASSACRE Trailer:

https://youtu.be/BKn9QIaMgtQ

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9:30 pm – Special Father and Son Double Feature ($10 individual tickets)

DON’T LOOK IN THE BASEMENT (1974)

Rated: R

Director: S.F. Brownrigg
Filmed in Tehuacana

This independent horror film follows a nurse hired to work in Stephens’ Sanatorium, a psychiatric asylum where the patients torment her.

DON’T LOOK IN THE BASEMENT infamous trailer is about half footage from THE LAST HOUSE ON THE LEFT due to having the same distributor, released on a double bill with it):

https://youtu.be/ys27ZxU3M3g

DON’T LOOK IN THE BASEMENT 2 (2015)

Rated: R

Director: Tony Brownrigg
Filmed in Tehuacana

Forty years after patients and doctors of the Stephens Sanitarium were murdered, the only survivor returns to discover that the ghosts of the past still haunt the building and its new inhabitants.

DON’T LOOK IN THE BASEMENT 2 writer/director, Tony Brownrigg is the son of S.F. Brownrigg, director of original DON’T LOOK IN THE BASEMENT. These two films will be shown as a double feature for the first time. This film screens courtesy of RDM Pictures.

http://www.dontlookinthebasement.com/about/

DON’T LOOK IN THE BASEMENT 2 Trailer:

https://youtu.be/UruZUNOuskk

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SUNDAY, OCTOBER 29

11:30 am – Double Feature ($10 individual tickets)
BEYOND THE TIME BARRIER (1960)

Director: Edgar G. Ulmer

Filmed in Carswell Air Force Base, Fort Worth; Eagle Mountain Marine Corps Air Station; and Fair Park, Dallas

An experimental pilot testing a rocket-powered craft finds himself in the future, among a society devastated by a plague.

BEYOND THE TIME BARRIER Trailer: 

https://youtu.be/dR2iz7LI3Kc

THE AMAZING TRANSPARENT MAN (1960)

Director: Edgar G. Ulmer
Filmed in Fair Park, Dallas and Berkshire Mountains, Massachusetts

A notorious thief assists and eventually faces off with a former military officer who plans to conquer the world with an army of invisible soldiers.

AMAZING TRANSPARENT MAN Trailer:

https://youtu.be/9MBYh7gt_1g

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3 pm – Double Feature ($10 individual tickets)

ATTACK OF THE EYE CREATURES (1967)

Director: Larry Buchanan
Filmed in Dallas

A flying saucer invades Earth and releases multi-eyed alien creatures that terrorize a teenage couple.

THE KILLER SHREWS (1959 1h9m)

Director: Ray Kellogg
Filmed in Dallas and on Lake Dallas

When a ship lands on an isolated island, the crew discovers a mad scientist has been experimenting on shrews, which terrorize the researchers. Stars James Best, Ken Curtis, Ingrid Goude, and Gordon McLendon.

THE KILLER SHREWS Trailer: 

https://youtu.be/j5b6N6huKz0

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7:30 pm – Mocky Horror Picture Show live riffing of THE GIANT GILA MONSTER (1959) ($15 individual tickets)

Director: Ray Kellogg
Filmed in Dallas and on Lake Dallas

A live-riffing movie comedy show! Mocked by Danny Gallagher and his fellow mockers Liz Barksdale and Albie Robles, this campy classic follows a mechanic and street racer as they work to stop a giant lizard from destroying the town. This block also includes student films from Garland High School’s ‘Reel Owl Cinema’ and a costume contest.

THE GIANT GILA MONSTER Trailer:

https://youtu.be/vCFXkZpMkV4

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IT CAME FROM TEXAS Film Festival

The First Annual Camp Classics

WHAT:

City of Garland’s Cultural Arts presents It Came From Texas Film Festival

Double features, campy classics and Texas-sized horror – 11 Texas Made films return to the Big Screen.

ADMISSION – PASSES and TICKETS:

Festival passes go on sale starting Monday, August 14, 2023.
Available online at http://GarlandArts.com
Early Bird Pass:  $50 – Good through September 15
Festival Pass:  $60 – September 16 to October 28-29
Individual Tickets:  $10-$15
Senior/Student Individual Tickets: $7-$12
(Full value of individual tickets is $80)

Festival Pass Perks:

  • Limited Availability
  • Early admission
  • Commemorative Poster
  • Discounts from participating businesses

WHEN and WHERE:

Oct 28-29, 2023
The Plaza Theatre on the Downtown Square
521 W. State Street
Garland, TX 75040

Connect with IT CAME FROM TEXAS: #ItCameFromTXFF

https://garlandarts.com

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About IT CAME FROM TEXAS Film Festival:

IT CAME FROM TEXAS Film Festival is a two-day film experience that ventures to celebrate the campy and quirky films in the Texas lexicon alongside revered films of the past.

IT CAME FROM TEXAS provides a first-of-its-kind, visual-arts forum in Garland, TX, dedicated to raising appreciation for films of all sorts in the community.  These campy film experiences hope to unite the community and create a spirited appreciation of film – the good and the bad.

The inaugural IT CAME FROM TEXAS Film Festival is a collaboration with the City of Garland and the Garland Cultural Arts and will be held on October 28-29, 2023, at the Plaza Theatre (521 W. State St., Garland) in the newly renovated Downtown Square. To view the film schedule, purchase tickets or get more information, visit http://GarlandArts.com.

About Garland High School’s IB Film Program:

The Garland High School IB Film Program, also known as Reel Owl Cinema, is a unique four-year high school narrative International Baccalaureate (IB) film program, which has been producing films at Garland High School since 2005.

This program began in the IB program as a part of the pilot program for film.  It is the first Fine Arts film class offered in a public school in Texas and is now the only public high school in Texas offering a four-year narrative film program.

As of the fall of 2023, Reel Owl Cinema has been educating, inspiring and celebrating students and the stories they tell through film for 19 years.

About the author

Kelly Kitchens

Kelly J Kitchens (Wickersham), film publicist

As an editor and feature writer, Kelly J. Kitchens found herself engrossed in North Texas’ arts, entertainment, leisure/hospitality and fund-raising events scene in the early and mid-'90s where she was a feature writer, critic and editor for a weekly arts and entertainment magazine in Dallas called The Met. Her love of film, music, art, theater and worthy causes drove her to then pursue the publicity side of the media business in 1995. Kelly has been honored by being named a “master publicist” in the Fort Worth Business Press and an “ace media maven” in The Dallas Morning News.

For more than 25 years, Kelly has had her hand in much of the Dallas film world. For instance, she publicized Angelika Film Centers openings in Dallas and Plano and the revitalization of Houston’s Angelika. She is the director of press and publicity for several area film festivals and independent films playing at other film festivals. And in 2022, she plans to return to be the publicist for Alamo Drafthouse Cinemas in DFW.

During the pandemic, Kelly wasn’t sure where her career would take her. Fortunately, she was able to help save Thin Line Film Festival, Dallas VideoFest's DocuFest and AltFiction Fest, Pegasus Film Festival, among other film festivals as they turned to go virtual instead of canceling.

As the world emerges from the pandemic, Kelly is working on publicity for Pegasus Media Project, Who Needs Sleep Telethon, as well as several films making their ways into the festival circuit and an Amazon series nominated for a Daytime Emmy, #WASHED.

One of Kelly’s specialties is her Media Roundtables. RTs are modified press conferences that turn into conversations and virtual film schools with filmmakers, festival directors and anyone else she happens to be working with at the time. Get a feel for these media roundtables at this YouTube playlist: https://tinyurl.com/KJKPRMediaRoundtables