Dallas Video Fest Film

Buster Keaton’s “The Cameraman” Screens @ Texas Theatre Nov. 21


Written by Kelly Kitchens
Ernie Kovacs’ silent comedy short “Baseball Film” (1951) is added attraction, tying it to Dallas VideoFest’s Kovacs Award ceremony occurring the following night
The Texas Theatre announced today that Buster Keaton’s comedy classic THE CAMERAMAN (1928) will be shown with live musical accompaniment on November 21, 2025, as part of the Ernie Kovacs Weekend produced by the Dallas VideoFest. Both events will be held at the historic Texas Theatre (231 W. Jefferson Blvd. – Oak Cliff/Dallas). The screening will be introduced and live-scored by renowned film accompanist Ben Model from New York City, who is also archivist/historian for the Ernie Kovacs Television Collection.

 
 
About THE CAMERAMAN
THE CAMERAMAN (1928) is arguably Buster Keaton’s last great silent comedy feature, with its popularity among fans growing in recent years thanks to a new digital restoration released in 2019. The film is full of brilliantly executed physical comedy sequences and set pieces, and boasts the production values and style of MGM, where Keaton made this film. Buster plays a tintype photographer who aspires to be a newsreel cameraman to impress a charming young woman who works for MGM’s newsreel department, played by Marceline Day. Despite a series of hilarious mishaps with the second-hand movie camera he’s acquired, Buster manages to fail upward, winning the day, a job as a cameraman and the heart of the girl he loves.

 
 
THE CAMERAMAN’s connection to Ernie Kovacs isn’t so far-fetched
One of the standouts in THE CAMERAMAN is a scene at an empty Yankee Stadium in which Keaton pantomimes a baseball game, playing every member of both teams. In 1951, Ernie Kovacs and a small crew from the Philadelphia station, WPTZ, where he was hosting his TV program, created a 5-minute 16mm film in which Kovacs portrayed all the players and fans at a baseball game. This short, known simply as “Baseball Film,” will also be screened due to its thematic connection to the Keaton film and in conjunction with the Ernie Kovacs Award ceremony, presented on November 22, to Fred Armisen, by the Dallas VideoFest.

“The connection between the two films is a bit ironic,” says silent film historian and Kovacs archivist Ben Model, “since Keaton and Kovacs wound up working together briefly in 1962. We don’t know if Kovacs saw or remembered the Keaton film, although this comedy routine had been around for decades, originating in vaudeville by Frank ‘Slivers’ Oakley, which Keaton would certainly have seen or known of. I’m thrilled that we’ll be bringing this hilarious Buster Keaton film to Dallas, and I’m honored to get to accompany it with my score at the historic Texas Theatre.”


 
Tickets for the Friday night screening are $23.50 and can be purchased online directly at the Texas Theatre website (thetexastheatre.com) or at its box office. This event is also part of the Dallas VideoFest Ernie Kovacs Weekend package for $75 ($100, including a copy of Armisen’s new 100 Sound Effects record) with recipient, Fred Armisen, ceremony on November 22 at the Texas Theatre with tickets for all events, including a VIP reception before the show on Saturday at VideoFest.org/Kovacs

Dallas VideoFest presents the Ernie Kovacs Weekend, Friday, Nov 21-22, at the Texas Theatre (231 W. Jefferson Blvd. – Oak Cliff/Dallas).


On Friday, November 21, the night before the Kovacs Award presentation, Dallas VideoFest presents Buster Keaton’s comedy classic THE CAMERAMAN (1928), which will be shown with live musical accompaniment at the Texas Theatre (231 W. Jefferson Blvd. – Oak Cliff/Dallas). The screening will be introduced and live-scored by renowned NYC film accompanist Ben Model, who is also archivist/historian for the Ernie Kovacs Television Collection.
The following night, the Ernie Kovacs Award will be presented to comedian, writer, producer, and musician Fred Armisen at 7:30 p.m. Saturday, Nov. 22.
Hosted by Dallas VideoFest’s artistic director Bart Weiss and Josh Mills, son of Edie Adams.
The celebration coincides with the record release of Armisen’s newest project, 100 Sound Effects. Fans can experience both his fresh creative work and his career-spanning honor in one extraordinary weekend.

ERNIE KOVACS WEEKEND PASSES & PACKAGES
$23.50 — Friday night: THE CAMERAMAN with Ben Model
$28.75 — Saturday night: Fred Armisen’s Ernie Kovacs Award presentation
$30 — Fred Armisen album 100 Sound Effects
$75 — Both nights with VIP reception
$100 — Both nights with VIP reception + Armisen album

Tickets: VideoFest.org/Kovacs

ABOUT BEN MODEL

Ben Model, who founded Undercrank Productions in 2013, is one of the nation’s leading silent film accompanists and has been a resident film pianist at the Museum of Modern Art (MoMA) in New York City since 1984 and for the Library of Congress since 2008.  He accompanies silent films on piano and theater organ regularly at MoMA, the Library of Congress, the Silent Clowns Film Series (NYC), the Cinema Arts Centre (Huntington, NY) and at many theaters and schools around the US and internationally. He is a regular performer at the TCM Classic Film Festival, the Kansas Silent Film Festival, and CapitolFest. His composed silent film scores are performed regularly by orchestras and concert bands around the U.S. and Canada.  His recorded scores can be heard on numerous Blu-ray releases from Kino Lorber, Milestone Films as well as his boutique label Undercrank Productions, and on Turner Classic Movies (TCM).  Model is a Visiting Professor of Film at Wesleyan University, where he teaches silent film history. He is also the archivist for the Ernie Kovacs/Edie Adams collection and has programmed three DVD box sets of Kovacs’ TV shows for Shout Factory. Model is co-editor of the book “Ernie In Kovacsland,” which was published in 2023 by Fantagraphics Books, and the author of “The Silent Film Universe,” published in June 2025 by Undercrank Productions. He is based in New York City. Website: silentfilmmusic.com

 

About the author

Kelly Kitchens

Kelly J Kitchens (Wickersham), film publicist

As an editor and feature writer, Kelly J. Kitchens found herself engrossed in North Texas’ arts, entertainment, leisure/hospitality and fund-raising events scene in the early and mid-'90s where she was a feature writer, critic and editor for a weekly arts and entertainment magazine in Dallas called The Met. Her love of film, music, art, theater and worthy causes drove her to then pursue the publicity side of the media business in 1995. Kelly has been honored by being named a “master publicist” in the Fort Worth Business Press and an “ace media maven” in The Dallas Morning News.

For more than 25 years, Kelly has had her hand in much of the Dallas film world. For instance, she publicized Angelika Film Centers openings in Dallas and Plano and the revitalization of Houston’s Angelika. She is the director of press and publicity for several area film festivals and independent films playing at other film festivals. And in 2022, she plans to return to be the publicist for Alamo Drafthouse Cinemas in DFW.

During the pandemic, Kelly wasn’t sure where her career would take her. Fortunately, she was able to help save Thin Line Film Festival, Dallas VideoFest's DocuFest and AltFiction Fest, Pegasus Film Festival, among other film festivals as they turned to go virtual instead of canceling.

As the world emerges from the pandemic, Kelly is working on publicity for Pegasus Media Project, Who Needs Sleep Telethon, as well as several films making their ways into the festival circuit and an Amazon series nominated for a Daytime Emmy, #WASHED.

One of Kelly’s specialties is her Media Roundtables. RTs are modified press conferences that turn into conversations and virtual film schools with filmmakers, festival directors and anyone else she happens to be working with at the time. Get a feel for these media roundtables at this YouTube playlist: https://tinyurl.com/KJKPRMediaRoundtables